This was quite a complex correction because there was multiple areas of concern.

The warm banding, over processing and very dry ends.

With this kind of work I always like to give the hair a pre cut to ensure a more even canvas.

We then needed to fill the hair with some warmth (pre pigmentation) the reason for this is because when you lift the hair you remove all the different pigments depending on what level you lift too. So you need to go back into the hair and put that pigment back in so that your final result will be true to tone and not a flat muddy colour.

For this i chose the braided reverse balayage technique which will help keep some light throughout the hair but again still adding the warmth back in.

My dark colour I used 6.38 (gold, mocha) and 6.37 (gold, violet) both with warmth but so it didn’t grab to warm I added the violet as she didn’t want it to warm as her final result.

Lighter shade 9.32 (gold,ash)

Then I went in with chunky highlights on a zigzag section to ensure a soft blend using cream blonde and 3%.

We then painted inbetween these foils with 6.3 at the roots blending into a 8.3 at the ends creating a gradient in colour with the melted tones.

To tone the lighter pieces I used 9.31 (gold,ash) at the backwash with semi activator Keune Haircosmetics to keep the lighter pieces bright.

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Discover how this versatile technique can transform your approach to colour corrections, allowing for seamless blending, controlled lightning and minimised damage. Perfect for tackling uneven tones or creating a softer grow out. I used Keune Cosmetics power blonde 3% and toned with 10.2 10.17 and clear

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